
This stop-motion animated film based on a Belgian TV series is filled with strange and wonderful talking people and animals who, yes, panic at the drop of a hat.
I could tell you about the parachuting cows, the giant automated penguin, the mad scientists doing serious snowball research. I could even tell you about Cowboy, Indian and Horse, three amigos who share a two-story house way out in the sticks. But to really understand the zany and surreal comic madness of "A Town Called Panic," you're going to have to see it for yourself.
The first stop-motion animated feature to be an official Cannes selection, "Panic" is the offshoot of a French-language Belgian TV series whose creators, Stéphane Aubier and Vincent Patar, have quite the following all across Europe. Made with an anarchic, anything-goes spirit, this is truly a film, not to mention a town, where you never know what's going to happen next.
It's also a town populated by people and animals who are no more than stiff and immobile plastic toys whose facial expressions never change and who move in fits and starts across a simple, almost primitive landscape. We never find out how the three housemates got together, but their psychological relationship is clear. Horse, often glimpsed sitting on the sofa reading the newspaper, is obviously the adult of the crew, while the juvenile Cowboy and Indian share a bedroom, spar with each other, fight for the shower (Indian's headdress displays like a peacock's tail when it gets wet) and vie for Horse's favor.
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